Kenneth ‘Supreme’ McGriff Says Bimmy Has Been a Confidential Informant for 40 Years

Kenneth ‘Supreme’ McGriff Says Bimmy Confidential Informant

Documentary Available to buy on Vimeo

Kenneth ‘Supreme’ McGriff Says Bimmy Confidential Informant, as a new Supreme Team documentary has released this month revealing untold stories.

McGriff doesn’t hold back. During interviews tied to the doc, he labels Bimmy as a “rat,” accusing him of being an informant for decades. Supreme frames it as betrayal—not just of him, but of the entire street code.

His tone is reflective but pointed: this isn’t an enemy name-calling; it’s indictment. In his telling, Bimmy’s role is part of why the streets fold, why legends fall, and why history is often written by those carrying agendas.

Supreme leans on the weight of “40 years” as a hammer. The message: this is not a short twist or momentary turn—it’s a lifetime of infiltration, of working with the system while wearing the façade of loyalty. Whether viewers believe him or not, the accusation forces people to reexamine their illusions about trust, power, and the cost of silence.

Dropping on Vimeo On Demand, The Supreme Truth is Kenneth “Supreme” McGriff’s long-awaited attempt to reclaim his narrative. Here you don’t get the headlines or the media’s version—you get his voice, his claims, and his counter-history.

In the film, Supreme doesn’t pull any punches. He presents himself not just as a former kingpin, but as a man fighting to clear the smoke, to reframe what’s been done in his name, and to expose what he says are the lies built into the justice system. Among the most explosive allegations: that Bimmy Antney (long known in rap circles) has been a confidential informant for 40 years. That’s a heavy claim—one aimed to rewire how people see loyalty, betrayal, and the street code.

The doc also touches on McGriff’s rise, his connections, the Supreme Team era, his downfall, and the court cases that have defined his legacy. It’s meant to provoke, to make people question what they were told—especially in hip-hop’s relationship with crime, media, and the system.

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