Story breakdown LA Clippers declining offer Montrezl Harrell is broke down, after Skip Bayless confirmed key info we revealed last summer.

French Montana ‘Fucking Money Up’ music video, is one of the stand-out tracks from his CB5 project; produced by Hitmaka and Tay Keith.

Tinashe ‘Comfort, Joy’ album, is the Midwest singer-dancer’s official holiday twenty album, and her second independent project.

CyberPunk 2077, Grand Theft Auto next-gen video, gives fans a first look glimpse at what to expect if we ever get a new GTA game.

Capone-N-Noreaga “LA, LA”, 2pac “Hit Em’ Up” story is revealed to the public for the first time ever with CNN explaining the infamous weekend.

Kanye West, Playboi Carti ‘Ghost Room’ song preview is finally teased with A$AP MOB, as he PC readies Whole Lota Red album.

Rich the Kid, Young Boy Never Broke Again ‘Automatic’ music video, is the stand-out release from their collaborative Nobody is Safe album.

Cordae ‘The Parables’ music video is the long-awaited single release from the DMV rapper, as he readies his sophomore album.

Gucci Mane apologizes ‘Truth’ diss VERZUZ battle, after extending the olive branch with Jeezy for the entire world to witness.

Young Thug, TI discuss rap game, dope game comparisons in a rare conversation with Benny the Butcher before the new album.

Dame Dash talks fellow black men not sharing plug in a rare conversation of gems. Speaks on Minister Louis Farrakhan and Glad controversy.

50 Cent examines Troy Ave vs. Taxstone controversy, in a conversation about keeping that same energy. Kanan also talks turning down Trump.

Drake Nike footwear, apparel collection release date unveiled, as The Boy inching closer to his first ever independent album, Certified Lover Boy.

OMB JayDee ‘ABC News’ music video, has the Brooklyn Stones heading out to pay homage to their fallen friend, Pop Smoke 🦈💨.

Wiz Khalifa ‘What’s the Move’ music video, has the Taylor Gang member sharing a visual from his The Saga of Wiz Khalifa project.

DJ Kay Slay ‘Rhyme or Die’ music video, is one of the stand-out cuts from Eastside Harlem Sleezy’s recent street Homage album.